Prior to writing for a living, I was a professional actress so when the opportunity arose to review Beth Miller’s companion guide to the world’s most famous dramatist there was no way I was going to refuse. I adore Shakespeare, though I never did get to play one of his characters. I performed in many of his contemporaries’ works but not the great man’s. Pisht!
Like the book’s author, it wasn’t always thus. I loathed the bard at school. Along with my classmates I stared baffled and bored at a battered copy of the Dream. I fell in love during a performance of the Scottish play at Theatre Clwyd. It was the appearance of the witches that did it – mesmerising performances from the three actresses. If you’re tiring of my waffling, please do bear with. I share because Beth Miller opens her book with her ‘switched on’ moment, also during a performance: a charming, and funny, anecdote from her teenage years and it sets the tone for the book perfectly.
If you’re a fan already you’ll love this book and if you’re not it could persuade you to give old Shakie a bash. It’s wonderful.
For The Love of Shakespeare is not designed to be read cover to cover – though I did, ‘cos I’m geeky – but to be dipped in as and when. Nor is it designed for the super-serious scholar. Right up my alley then.
The first 50-odd pages are rammed with background information – gems on the man himself, the times, his world. Did you know George Bernard Shaw wasn’t a fan and would have liked to dig Will up and throw stones at him? Me neither.
After the introduction Miller divides the guide into three main sections: the Comedies, the Histories and the Tragedies; with shorter chapters on the bard’s poetry, the apocryphal plays (those whose authorship is in dispute) and his legacy.
The plot of each play is explained in conversational English, followed with the plot in a nutshell – a phrase invented by Shakespeare along with a zillion others we use today, many of which Miller shares. These nutshell plots are often hilarious. Of Antony and Cleopatra Miller writes: ‘Antony learns the hard way that mixing business with pleasure is a bad idea.’ And of Macbeth: McGame of Thrones meets The Apprentice, with knives. Plot summaries are followed by other notable characters and a body count. There are ‘Did You Know?’ sections and quotable lines, and peppered throughout are interviews with people closely associated with Shakespeare today (actors, directors, academics and the like) which are also utterly delightful.
Not only is the information that Miller has lovingly and painstakingly researched fascinating, she delivers her material in such a warm and witty style whether you’re a Will fan or not it’s an entertaining read. Perfect for a quick overview for not-too-keen young students – I’ll certainly encourage my son to read Miller’s thoughts on the plays he’s studying (Romeo & Juliet, another of my favourites, A Midsummer Night’s Dream – definitely not one of my favourites, and Macbeth. Love) – and for someone who’s perhaps being dragged to the theatre reluctantly. And for those already smitten there’s plenty of fresh material.
A witty, informed guide infused with love and a healthy dash of irreverence. Fab-u-lous.
My thanks to the publisher, Summersdale and TBC (Facebook Group); I was given a book in return for an honest review.