Back in late June I had a whole bundle of good intentions for the summer. The most important of these was to complete the first draft of my WIP; I was 30k words in. Now, I have 35k. You don’t need to be good at maths (I’m rubbish) to see that I failed to meet my objective in spectacular style. 5,000 words? A figure I would commonly knock up in less than seven days.
Things went pear-shaped from the off. The EU referendum result rocked me to an extent and depth I was utterly unprepared for. For weeks, I could think of nothing else and fed my addiction by reading everything I encountered on social media: articles, debates, the numerous passionate conversations between friends and colleagues, and, sadly, the trolls. Struggling with despair, a ‘what’s the point, we’re all going to hell in a handcart’ attitude, I did manage the edits on the revised edition of my debut, renamed The Family Line. Which was just as well: it had a July publication date.
Then Ginger1 went away. For a month. A whole month. One child lighter I thought it would be the perfect opportunity to catch up. Wrong. Instead I fretted about him constantly, using up precious emotional and mental energy. I couldn’t focus.
Late July and Ginger2 finished school for the summer. A week later and his older brother returned home safe and sound – if grubby; he’d been living in a tent for the duration. Now the long break has never been an easy time in which to write, as many mothers know, but I have plodded on in the past, albeit at a reduced pace: I worked in the mornings and we played in the afternoons. It didn’t pan out that way. I did try. Time and again I sat at my pc and typed a few measly sentences, before admitting that I wasn’t getting anywhere, fast. And for days, and weeks, one question plagued me: What on earth is going on? Have I lost my passion? Will I never complete a novel again?
In the past seven years I have written six (and a bit – there’s that third of the WIP) novels, a number of short stories, and a radio play. The shorts and five of the novels have been published – the sixth is scheduled for release in June 2017 – with all the attendant promotional activity. The radio play is almost ready for submission. Whether or not it is ever produced remains to be seen. On top of this I have continued to teach, mentor and work as an editor.
Prussia Cove, Cornwall
In August we went away for our family holiday. This year to Cornwall, to the most southerly point of Britain: the Lizard. On this holiday, where we walked and sailed and mostly admired the stunning beauty of the Cornish coastline (though the Helford Passage is worth a visit too) I realised that I needed to stop beating myself up. That my sub-conscious had been at work. I’m tired. I needed to take stock, step back, refill the well.
So, aside from a stint as a writer-in-residence for Little Green Pig (that’s a story for another time…) August and this first two weeks of September has passed without writing and little social media activity and – shockingly to me – it’s been OK. Really, really OK. Great, even.
The Little Green Pig pop-up in Brighton
I’ve read a lot – both fiction and non-fiction – rediscovering my love of writing from across the pond. American literature was a strand of my degree but in recent years I’ve read British works almost exclusively, feeling the need to keep up with trends.
I’ve swam almost every day, in the sea mostly – how lucky I am to live in Brighton; I’ve hung out with much neglected, and extremely tolerant, family and friends, realising in particular that my boys are growing up fast and it won’t be too long before they’re gone. Ten years from now, I won’t regret having written five rather than eight or nine novels, but I will regret not having spent more time with my children. A novelist friend said exactly the same thing.
At the weekend I was at a character masterclass run by The Beach Hut Writing Academy, tutored by clinical psychologist Dr Sam Fraser and thriller writer Rebecca Whitney. It was a fascinating and inspiring day. I came away buzzing with ideas and during one particular exercise I discovered what the heart of my story was – and it wasn’t what I’d thought it was! The whole thing needs a re-write.
And here I am, ready to face the autumn, to enjoy reconnecting with my craft, a rewrite, my characters and their stories, to reconnect more fully with online friends (I am fortunate to have many astoundingly wonderful online mates) and I’ve learned the importance of taking a break, stepping away and reassessing.
A writing life is a marathon, not a sprint. We need to pace ourselves.
Creation is a marvellous thing and regardless of whether or not you believe in the Christian creation story (I don’t) the significance of the seventh day should not be underestimated.